Then try to re-create the same articulation using the normal fingering.Ĥ) Not too detached. For the best results try to play some passages from this piece using one finger only but as connected as possible. Try to achieve the singing or the cantabile manner of playing. Since there are no special articulation indications in the original score, the notes should be detached.ģ) Cantabile manner. This touch means that you should leave small spaces between each note unless indicated otherwise by the composer. The original term for this type of articulation used in the 17th and 18th centuries was the Ordinary Touch.Ģ) Small spaces. Since it is a piece written in the Baroque period, the basic articulation is articulate legato. In this article, I will give you 7 tips in playing this prelude and fugue with the correct articulation.ġ) Articulate legato. In order to achieve that you should use a special kind of touch plus many other nuances of the right articulation. It is precisely articulation which makes the playing of this piece sound in style as it was intended in Bach's times. One of the most important aspects of stylistically correct performance of Prelude and Fugue in B flat Major, BWV 560 is articulation.
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